11/9/2023 0 Comments Black magic pocket 6k pro![]() ![]() ![]() This allows flexibility in a variety of situations. Speaking of sensor noise, both cameras feature Dual Native ISOs of 400 ISO and 3200 ISO. The Pocket 6K can also shoot high frame rates while still displaying a LUT and without increasing sensor noise. Frame rates are user selectable and can be adjusted in one frame increments in the menu. High Frame Rate recording is as simple as pressing the HFR button on the back side of the camera. Both cameras can record high speed at up to 50fps in 6K, 60fps in 4K and and 120fps in HD. ![]() It also features Gen 5 color science, and 10-Bit ProRes and 12-Bit Raw recording formats.īoth the Pocket 6K and Pocket 6K Pro are able to capture a range of resolutions including 6K, 4K, 2K, and HD without windowing or cropping the sensor. It has excellent highlight retention and shadow information, and renders graduations beautifully thanks to its S35mm sized sensor. Seriously, the Pocket 6K and Pocket 6K Pro punch way above their weight class. To be frank, the image quality of the Pocket 6K is incredible. The best part is the camera knows when timecode is being fed into those inputs, takes the timecode jam, and still allows you to record two clean channels of audio using the remaining available audio inputs. Adjusting audio levels is as simple as tapping the audio meters on either camera’s large, user-friendly touch screen.īoth cameras can also take timecode via their 3.5mm microphone jack or mini XLR input. Both cameras can supply Phantom Power and can accept line or mic level inputs.Īdditionally, both cameras have 3.5mm headphone and microphone jacks as well as two internal microphones each. Converting Mini XLR to the more common XLR is as easy as purchasing an adapter. The Pocket 6K and Pocket 6K Pro make recording audio a breeze.Īs I mentioned earlier, the Pocket 6K sports a single mini XLR audio input while the Pocket 6K Pro has two mini XLR audio inputs. For years, recording audio into small cameras has been a source of frustration for cinematographers, directors, producers, editors, clients and sound recordists alike. ![]()
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